Tutorial: Creating An Abstract Landscape Image
In the comments for the original post of this image, many of you expressed interest in seeing how it was created. I’m still very new to Photoshop and by no means to I claim to be an expert. I’m sure there are better and more efficient methods for doing this but these steps got me where I wanted to go. This is the first image tutorial I’ve posted so I hope that I have included enough information and you are able to follow along. So, without further delay, here is the method I used to create “Stand Against Time”.
Here we have the original image with a few basic Lightroom adjustments applied. As you can see, it isn’t a very exciting or particularly interesting photo. Let’s export it to Photoshop and see what we can do to change that!
Once the image is open in Photoshop make a duplicate of the background layer and rename it to something like ‘Base Layer’.
Now we are going to add our blur so select Filter->Blur->Motion. Set the angle of the blur to around 87 to align the motion with our leaning foreground tree. Set the Distance to 999 pixels to acheive the maximum effect. Go back to the Filter menu and do that again to really get some blur going. Applying the blur filter a second time helps smooth any elements that did not completely smooth during the first application; it’s not always necessary and you may wish to reduce the radius the second time around.
That left us with the blur added to the entire image and we could just move forward from here creating an interesting image in it’s own right but we’re going to go a step further and seperate our tree from the background. To do this, we’ll add a layer mask to the base layer and hide the blur effect from the tree. Make sure the layer mask is selected, choose the Brush Tool, select a soft medium brush and set your foreground color to Black. Now just ‘paint’ over the tree with the brush tool to reveal it. You may want to reduce the opacity of this layer to help you see the edges in the base layer.
TIP: If you paint over an area the you don’t want revealed, just change your foreground color to white and paint over that area to hide it again.
To help blend the tree into the background highlight the layer mask, select a small soft brush and zoom in close to the edge of the tree. Set your foreground color to white and paint along the outside edges of the tree. This will serve to ‘blur’ the edges slightly and keep the tree from looking like it was pasted into place.
The next step is to start bringing the image to life so let’s add a Hue/Saturation layer. The adjustments you make here are purely artistic and depend entirely on the image that is being processed. Below are the settings that I used.
My first Hue/Saturation Layer didn’t bring out quite as much yellow and brought out too much green so I added a second adjustment layer for these changes.
The changes made with the Hue/Saturation layers have really started to make the image pop but let’s add a Vibrance layer to further enhance those changes. Here I’ve set the Vibrance to +25 and the Saturation to +5.
The contrast still looks a little soft so we’re going to add a Levels layer to help. I brought the Black point up to 5 and the White point down to 244. This adds just enough contrast to remove that hazy look.
Let’s add some sharpness to our tree. Select the topmost layer and merge everything together into a single layer using Ctrl-Alt-Shift-E on PC (Command-Option-Shift-E on Mac).
Select Filter->Other->High Pass and set the Radius to about 8 pixels. We only wanted to sharpen the tree so press ALT on PC (Option on Mac) and click the Add Layer Mask icon; this will add a Black Layer Mask that hides the sharpening effect. To reveal the effect select a soft medium brush and set your foreground color to white. Make sure your new layer mask is selected and paint over your tree. We don’t want to paint all the way out to the edges of the tree, this will help blend the tree into the background. Now, change the blending mode of your High Pass layer to Hard Light and reduce the opacity to about 50%.
Save the image and move back to Lightroom for some finishing touches.
At this point you should have an image very similar to the one below – don’t worry, we’re about to change that dramatically!
I used a free Lightroom preset called Cold Autumn to completely transform the background to a vibrant gold. Again, this applied to the entire image so we need to export the file to Photoshop one more time to remove the effect from our tree.
Now that you’re back in Photoshop you can simply create a layer mask on the background layer, select a soft medium brush with a foreground color of black and paint over the tree to remove the effect of the preset. Save the image and we’re back in Lightroom.
I did use a brush tool on the tree in Lightroom to darken it a bit then added some vignette but basically that’s it!
Feel free to save the images in this post and try this yourself if you like.





















I enjoyed your blog. It’s easy to read, the content is good.
Helen J. Browning recently posted..vimax patch review
Great Tutorial Curt
Ben Tucker recently posted..Flamborough Bay a Failed attempt to photography the Supermoon on May 5th 2012
Painting in abstract can be described as breaking down what you see into basic shapes and forms, rather than painting the precise details of what you see. When painting abstract landscapes you are painting in a more conceptual way rather than literal, and more simplistic details rather than realistic.
Krizza recently posted..Hot Tub Maintenance
Great tutorial, I loved the final image when you first posted it, seeing the process to create it adds a new dimension
Chris Maskell recently posted..Perspective
Fun to read about the process behind. The final picture is great.
Otto von Münchow recently posted..Flowers to a Blogger Companion
Great effect. The colors are amazing!
Kris Koeller recently posted..The Opposite House Hotel in Beijing, China
Thanks for taking all the time to assemble this tutorial. I use the High Pass filter all the time for sharpening too. My preference is to make the layer into a smart object and then apply the High Pass so that I can tweak the radius later. I’ve linked my name in this comment to a post I did last week showing what I mean if you’re interested. The end result doesn’t look different, but the workflow is less linear.
WOW….I really don’t know how I missed this last week Curt. Fantastic tutorial and Love the final image as much as I did the first time I saw it.
Edith Levy recently posted..Cougar Town….I Mean…Time
Really well put together here Curt!
Name* recently posted..Eye in the sky
Great tutorial Curt. I think I might give this a try!
Jason Hines recently posted..Thor’s Hammer
Excellent Tutorial!
Rick Louie recently posted..Bridge Over Quiet Waters
Excellent tutorial.. Many thanks for taking the time to explain this so well and so thoroughly.
Mark Summerfield recently posted..Saint Nicholas of Myra Byzantine Catholic Chapel
Thanks for sharing how you did this Curt! Great tutorial and awesome image!
Rich McPeek recently posted..Win the Lottery
This is a great piece, Curt, thanks so much for taking the time to detail all the steps involved here! Great results, too, I might add!!!
Toad Hollow Photography recently posted..A Stroll In Honeymoon Bay
Superb tutorial, Curt. Thanks for going to all that trouble to write such an easy to follow tutorial.
LensScaper recently posted..Waiting to fly